THE SILENT POEM
In the beginning it must have been
that the Neanderthal
emerged from his cave
early one day
into a cold and ruthless world
and noticed for the first time
sun’s reflection glistening
upon lake serenity
between twin peaks
of a snow covered summit.
And speechless
as he might have been
for images never seen,
he fell to his knees,
stared mutely,
unable to excise
the swell in his soul,
and realized
each morning thereafter
would speak differently.
THIEF
Two days ago I dreamt that
the sun caught me stealing light
to illuminate a poem,
demanded restitution,
then reported me to Mother Nature
who posted my likeness about the land.
Soon, the ocean, forest, birds, flowers, et. al.
filed suit for substantial abuse
and complacent philandering without permission.
I pleaded guilty;
admitted taking breath from wind
for deliverance,
marshmallows from the sky to sweeten song,
and rage from the ocean
to instill a sense of urgency.
Convicted and confined to a windowless room,
no writing, visitation
or glimpses of stolen sights,
I was sentenced to imagine beauty
without embezzlement
and the wholesale exploitation of words.
DIVERSION
He lies awake
during the small hours of quiet
after midnight beyond disturbing dreams
and focuses upon
the husky rhythmic patterns of breath
which sustain her
in stark contrast
to the stillness of her soul
reflected on her face.
He wonders,
after sharing years of secure abandon,
about the first day he enters
this ritual of repose alone
should she render
to permanent slumber before him,
and realizes his ordinarily vivid imagination
dares not trespass
upon unfathomable ground.
Yet, he persists conjecture,
still unable to complete the thought
and as unnerving sensations invade his psyche,
he rises to write these lines
in hopeful diversion
to an inevitable confrontation
from his perspective or hers.
SEAMSTRESS
Having mended
delicate strands of loneliness
tangling my heart,
she kneels in prayer
upon the floor
with clusters of pins on her lips
ready to bond a cloth anatomy.
Hemming, cutting
and matching thread,
her needle attaches
bloodless seams in arcing lines
to invigorate a listless torso
with warmth.
Still, I dream of her
completely unwoven.
WHEN NIGHT NO LONGER ENTICES SLEEP
The old man has bad dreams,
he sleeps so little.
Up from bed
he walks on bare feet
into the darkness
and leans, from memory,
on the furniture,
his heartbeat pulsates the room.
The window facing the street
is a blackboard,
the old man
squints for chalk lines
which delineate being
from being no more.
A rush of apprehension chills him
yet he continues
toward the bathroom
for relief
and another glass of water.
Standing silently at the threshold
he listens for raindrops,
mice in the walls,
or a passing car,
but hears only the raspy breath
of lengthening nights
and the footsteps
of dead relatives
shuffling in the kitchen.
THE BLIND POET
He is the blind poet,
painter of colorful phrases
and flowering images
which describe
the landscape of his soul
and the soul of man,
his mind’s eye,
a canvas to pictures
unmitigated by sight,
unseen by others,
an eye which constructs sounds
into visions,
into a language
built from dreams,
enriched with emotion
and gesture
to depict humanity,
inhumanity,
profound expressions,
unique impressions,
which challenge perceptions
of light.
MICHAEL KESHIGIAN
